TSVG Angry Jeff Review

We recently acquired a pedal to review called the Angry Jeff made by TSVG Pedals. What kind of pedal is it, you ask? Well, it’s a fuzz that has germanium transistors. Here is what the pedal looks like:

tsvg angry jeff fuzz

As you can see, there is a cool wolf on the front, which is fitting since this fuzz really howls. Lets talk about what the dials do. From left to right: Volume, Fuzz/Drive, and Bias. While the first two are self-explanitory, some might ask what the Bias control does. One way to describe it is that it changes the dynamics of the fuzz, how it reacts, its compression, and clipping. TSVG says that turning it all the way clockwise will make for more gated fuzz tones, while turned counter-clockwise will give a much more raw fuzz. I like the fact that it is a dial, so there are a ton of possibilities depending on how you feel in that particular moment.

Now lets get to the sound of the pedal. I must say, I’m very very impressed. It sounds exactly how you would think a germanium fuzz should sound. Fat, wolfy, roaring, warm, with the right amount of compression. It definitely has the ’60s vibe to it with a more creamy-like breakup. Some might find this pedal to be dark sounding, but that really is the character of germanium transistors. It does get dark with the fuzz and volume all the way up, so it makes for a good opportunity to switch to the bridge pickup.

With the fuzz and volume up, you can get some incredible controlled feedback. Just hold a high note with some vibrato, and hear how it changes into ear-pleasing feedback that is actually controllable. With the fuzz and volume maxed, it almost feels like your guitar tone is on fire, or searing if that makes sense.

I really like how well this pedal cleans up with your guitar’s volume knob. You can get a whole range of tones from relatively clean, to loads of fuzz and everything in between with just your volume knob. This really makes for some great opportunities in your solos, as you can change the tone/sustain on the fly without clicking on pedals.

Turning the fuzz knob all the way off, and keeping the volume high makes for some interesting tones. You can get some really cool sounding cleans if you do this and have your guitar’s volume rolled off a bit. Think of the term ‘pushed cleans’, which is really nice to have a good clean tone, but with excellent touch sensitivity to play quickly.

Lets talk a little more about the Bias control. This feature really makes this pedal a major player in the fuzz category. Why? Well, because you can really change the flavor of the fuzz with this control, it is kind of like having 5 different germanium fuzz pedals. It really offers so much versatility. It also is great if you have many different electric guitars that react differently to pedals.

Overall, the Angry Jeff is an amazing fuzz! You can definitely get some Hendrix tones as well as Cream-era Clapton tones. Again, with the Bias control, you can really cop many fuzz tones from your favorite guitar heroes, or create your own sound. I just love how this pedal screams, as it really makes people pay attention to your solos, and that warmth.. it just feels so big. And lets face it, no one wants a thin-sounding guitar solo. At the end of the day, I can’t believe the Angry Jeff Fuzz is only $155. A steal for a boutique pedal, I must say. Kudos to TSVG.

Lovepedal COT 50 Burst Review

A couple years ago, I was watching some videos from ProGuitarShop on youtube. They demo many different pedals that they sell in their online shop, and I came across the Lovepedal Cot 50 Burst. I became very intrigued as Andy (from ProGuitarShop) started playing ‘Them Changes’, a Band of Gypsies track. I was sold. Right away, you could see why this pedal was packing mojo. So lets take a closer look at what this pedal is all about.

As you can see from the picture, there is just one dial, making this a very simple pedal. This IMO, is a good thing, as if there is too much tweakability, there would be a ton of time spent tweaking, and less time spent playing. The dial on the COT 50 Burst controls the drive.

Just so we’re all on the same page, the COT 50 Burst isn’t just a simple overdrive pedal, rather its more of a preamp so to speak. Its goal is to cop tones from a late ’60s Marshall Plexi loaded with 6550s. While this is a pretty big claim to make, I think it does a pretty good job, especially for a pedal.

I hooked up my strat (Fender MIJ ’68 Reissue), and played the COT 50 Burst through a pretty clean amp. Once I engaged the pedal, I was greeted with some favorable tone coloration. It gave my guitar more texture. As I turned up the dial, I got some great overdrive tones, very subtle, sounding more like a cranked marshall amplifier. When I turned the dial all the way up, I was almost in fuzz territory. When I turned the dial all the way down, it really kept the actual sound of my guitar, with a slight coloring as if I was playing through a different amp. At this point, I can say, the pedal is doing what it says it does. Awesome!

I then tried stacking it with other pedals, and started to see just how great this pedal was. I was playing a fuzz pedal straight to my amp, but since my amp has EL-84s, the fuzz wasn’t really sounding the way I was hoping it would. I wanted a good 60s’ style Hendrixy fuzz tone, and I just wasn’t getting it. Then I added in the COT 50 Burst right after the fuzz pedal, and immediately I was in Hendrix territory. Also at this point, I was getting some great controlled feedback at low volumes. Very awesome!

So basically, if you really want a Marshall Plexi sound, but can’t afford the amp itself, just get the Lovepedal COT 50 Burst, and you will be close enough to the sound that you are trying to catch!